Notes: Toolbox is a musically intelligent control module capable of driving a rack full of gear. It features both MIDI and Control Voltage connections for interfacing with all kinds of different hardware. Toolbox takes full advantage of the integrated 3.5' touch screen to give immediate access to sequences, parameters, and events. The screen provides a full overview of all the active notes and events.

It even offers touch based scrolling and zooming, just like a smart phone, to make editing easy and fun. Toolbox is a great way to be creative on your terms. Review: Cult Cali soul strutting; Bubble Gum is a stone cold classic funk album from 1975 that's provided many beat maker from Pete Rock to Chubb Rock with its trove of breaks and samples. It's not hard to hear why; Bubble Gum hits with the feel, scope and heart of a truly accomplished album.

From the jazzy slippery-tongue tightness and live dynamic of 'Quit It' to the out and out yearning soul of 'Truth, Trust, Love & Happiness' to the smoky street blues and overwhelming harmonies of 'Suburban Blue', the whole album set them right for a string of albums. Review: Six years ago, Humberto 'Andres' Hernandez donned the A Drummer From Detroit alias for an EP of heavily percussive workouts on Fit Sound. Here he finally offers up a follow-up, once again combining his own recorded drums and hand percussion with carefully selected samples. First up is 'Part 3', a jazzy and groovy affair where undulating organ riffs and subtle samples buzz around a layered drum groove. 'Part 4' is deeper, slightly looser and arguably more musically layered, with Hernandez's live drums once again to the fore, while 'Part 5'- arguably the most percussively intense of the three tracks - sees the producer make great use of jazzy synths, carnival style whistles and eyes-closed vocal samples.

Review: While the name may be new, A New Line (Related) is supposedly the work of an already established musician, although Kimochi was never a label that cared about hype. The music stands just fine on its own, digging into the kind of dusty and dusky house and techno formations that the label has forged its hand-sprayed identity on.

Items 1 - 500 of 1358. Reverie(s) (hand-numbered clear mint vinyl 12' in spray-painted sleeve limited to 200 copies (comes in different coloured sleeve, we cannot guarantee. Helping you make the most of your virtual instruments and recording software, MiniLab MkII features a great-feeling keybed with 25 slim-keys,.

There's plenty of ambient techno twirls to be enjoyed on the likes of 'Dancing On Soft Borders', while the beats melt away entirely on 'After A Short Illness' and grandiose EP closer 'RIYL Failures'. Once again Kimochi comes up with the kind of meaningful variations on the 4/4 framework that keep our record bags full and our souls enriched. Review: The third EP from Peckham's hush-hush Edits From The Tribe series (which may or may not be helmed by South London's most famous Executive Producer) comes from a man renowned for his house revisions: Adesse Versions. Predictably, he delivers the goods, first via the bombastic, 'Work'-era Masters At Work drums, woozy chords and jangling guitars of bona-fide basement banger 'Jagger'. While superb, it's flipside 'Run Hot' - a jazzy, jammed-out deep house beast built around samples from a much-loved disco era classic previously sampled (way back) by Pepe Bradock - that's the real heat.

It has 'peak-time anthem' written allover it. Review: Mannequin boss Alessandro Adriani has certainly stepped out from the shadows from his retrospective leaning label to create some brilliant modern EBM/industrial derivatives - that still give a respectful nod to their origins. For his newest release, he presents us with some fairly fierce offerings. 'A Man Who Would Come Here Of His Own Free Will' is tough, acid-infused EBM that lunges for right he jugular. A does 'He Is Everything & Nothing', the kind of techno-punk that's reminiscent of past work with Douglas Lee as An-I: could it possibly be him on vocals? Finally on the flip, the brooding darkwave of 'You Never Sleep' features lovably cheesy '80s synth leads and Silent Servant style howls through walls of delay and distortion.

You can just imagine PVC clad goths sweating it out to this one, in basements from Berlin to L.A. This follows up the re-issue of Adriani's excellent edit of Lata Ramasar's 'The Greatest Name That Lives'. Review: Alessandro Adriani makes a surprising addition to Berlin techno imprint Stroboscopic Artefacts. The forward thinking label that dwells on the more experimental fringes of dancefloor sounds now taps a fellow Italian and Mannequin Records boss who serves up some fascinating techno derivatives. Harnessed no doubt by his time living in Berlin, but also put in practice as one half of An-I with NYC legend Douglas Lee. Much like Lee, Adriani gives an outsider's perspective on powerful body music by way of industrial sounds and experimentation with analogue electronics. 'He Who Harnesses The Soul' opens proceedings in impressive fashion - we've never heard Adriani execute something so direct on this tunnelling and hypnotic stomper that will have huge crossover appeal.

It's more like the artist we know on the brooding and powerful stomp of 'Rituals' (707 EBM version). Finally we get treated to yet another minimalist and trance inducing number on 'Astronomy' reminiscent of Sahko or Sleeparchive's sublime spell casting in the mid noughties. Review: Brooklyn's J Albert returns with more tripped-out lo-fi house. The Exotic Dance Records boss follows up some great releases of late on top labels such as 1080p, Hypercolour and Black Opal. Whether it's the euphoric strobe-lit ecstasy of 'No Longer Me' (dub) that's awash in delay drenched rhythm patterns, snarling bass and hypnotic synth leads. Or the brooding B side cut 'Smoke & Mirrors' which is reminiscent of fellow local Patricia and packed full of dusty drums, haunting pads and chilling chord progressions: this one's a totally heads down affair for very late at night. Black Orpheus is a Berlin based label run by expat Patrick Conway, who has appeared on such esteemed labels as REKIDS and Forbidden Planet.

Review: Dutch producer Aleks makes the leap to the album format for the ever-crucial Organic Analogue label, showcasing the breadth of his smoky sound from the gorgeous ambient opening track 'Void' to the deep tracking tech-dream of 'Gone Home'. There are some spicier moments to be head, such as the rugged workout 'NTH' and the upfront, rolling house thrust of 'City Break', but these moments are still smoothed out by a fog of woozy processing, lingering pads and dusty FX that give the whole record a somnambulant quality that feels right at home amongst the standout material that Organic Analogue is rightly celebrated for. Review: The Devil's Nightmare was an Italian-Belgian production from 1971 directed by Patrice Romme, that starred Jean Servais alongside a sensual Erika Blanc, also the disturbing presence of the Daniel Emilfork in the role of Satan.

The film's components are typical of the Euro horror genre of the time: a Gothic castle, eroticism, and bloody murders - all in a spectral and dense photograph. It is the music of Maestro Alessandro Alessandroni, who needs no introduction, who indelibly marks the listener, starting with the hypnotic, psychedelic opening theme to which the harpsichord and his faithful Fender Stratocaster add the acid and fuzz, overlapping the silly wordless vocals of his companion Giulia De Mutiis. Dave Zagorski filmed a remake in 2012 under the Mad Z Productions banner (the US remake of the film). Review: Silent Season tap up Antenes for a rare 12', building on the sizable impact her last and only release on L.I.E.S. Had back in 2015. Here we get three trips into dark, evocative techno territory as you would expect to find on Silent Season, leading in with the doom-laden march of 'Dream Uncreates The Land'.

'Take Me To The Birds (For A)' ditches the drums and heads straight into the most delicate and stirring of ambient pieces, while 'Metra Train Chicago 1000x' makes use of field recordings and processed static to make for an even more immersive listening experience. This is a daring release that eschews the need for functionality to take the listener somewhere else entirely. Review: Area returns to his Kimochi label to deliver a rich musing on ambient approaches from a techno mindset, and he's brought some esteemed friends along for the ride. 'Through The Wall' is a magnificent slice of melancholy that leads the A-side in a cloud of billowing chords that undulate through modulation, while 'Everything Thrown Away' takes a more intimate approach with quietly drifting synth tones and subtle FX processing.

Donato Dozzy's 'Genesis Chamber' mix of 'Entireless' is a more extravagant affair with layers of noise and feedback working into the beatless space, and Eltron John's guest spot on 'Pop Life' adds further aquatic shapes to the fluid tones contained within. Review: A mystic tale told over four alluring chapters Paris-based Armenian Arman draws us into his dense, atmospheric brew.

'Believe' sets the scene with slow-mo rattlesnake percussion and yearning vocals from Jo Ke, 'Zephyr' disrupts the equilibrium with a lava-like technoid momentum that never sits still while 'Aragatz' provides the intense chase scene, its eastern reeds wheezing and whirring and rising over the persistent palpitating groove. Finally 'Yari' brings us to a bittersweet end. Once again on a slower drive, we're ushered through cloudy pensive atmospheres with the minor chords and faraway vocals pulling at our souls. Loaded with remixes from Nicola Cruz and Acid Pauli, Viken's Denature label is really coming into its own right here. Notes: KeyLab 88 Black Edition features a high quality 88-note, piano-weighted keybed, 16 backlit performance pads, an array of faders and rotary controllers, and includes the following software: - Arturia Piano V - physically modeled piano studio suite - Arturia Analog Lab 2 - 5,000+ classic keyboard & synth presets from V Collection 5 - UVI Grand Piano Model D - sampled Steinway virtual instrument - Ableton Live Lite - recording & editing software The KeyLab 88 is a professional-grade 88-note MIDI keyboard controller designed with the working musician in mind.

The Keylab 88 keyboard controller is made for performance and maximum expression. Designed with the modern musician in mind, the Keylab 88 is the perfect companion for the professional musician who uses a laptop or iPAD.

This premium controller features a hammer action keybed from Fatar and gives the fullest access to our Analog Lab software. Its pre-assigned controls make it the perfect solution for plug and play sound creation. Once the software is connected to the keyboard, you can put your mouse away and experience the same workflow as on a traditional hardware synthesizer. With Keylab 88, discover a new depth of access to the synth patches so you can really get in and customize the huge library of internationally designed presets. A new Multi-mode allows several sounds to be played at the same time with the addition of effects, layer/split functions and a Chord mode. In addition, the keyboard (like all of the Keylab series) can be easily used in any other software context. The foundation of the Keylab is built on its high quality hammer-action keybed from Fatar, to give you the response and feel a true musician needs.

Then we added transport controls to work with your favourite DAW, along with plenty of knobs, sliders, and assignable buttons to give you hands on control of your favourite plug-ins and workstations. To top it off we included 16 of the best velocity and pressure sensitive drum pads on the market. H710 Windows 2003 Driver here. We understand the needs that keyboard players have and with the size of an 88 note keyboard in your workspace, you need to have some kind of access to the devices you use to create with. We expanded the real-world usability with some simple but exceptionally useful additions. We have added a music stand that can not only hold your favourite fake book of 10,000 songs, but it also work as an iPAD stand either in landscape mode for using with your favourite iOS synths and DAWS or in portrait mode for the user who has 'gone green' and is using sheet music apps. We also have an extension shelf for the right rear section that creates a large work surface that will allow you to place your laptop or small synth (like a MicroBrute) on top of the Keylab 88, giving you unsurpassed access without resorting to other stands or awkward working solutions.

Our MIDI Control Centre software allows you to quickly and easily edit your preset parameters. With an easy to use graphical interface and a nice 1:1 screen image of your hardware, you can tailor the controls of your Keylab keyboard to match your favourite plug-ins and DAWS settings. Analog Lab is an extremely powerful software synthesizer solution with over 5000 classic synthesizer sounds from Arturia's premier vintage analog recreations at your fingertips. Analog Lab offers the ability to do fast and simple editing and customizing of your presets but it doesn't stop there; owners of the original individual synthesizer software products or the V Collection can open an Analog Lab sound and edit it in the original software, save it and then add it to their library. Our new Multi-mode allows you to create amazing layers and splits as well as warping and twisting your sounds with 17 high quality effects. Analog Lab will take your sound and workflow to a new level.

Analog Lab is a virtual instrument, which means that sounds are processed within the computer. It can be used as a stand-alone application or as a plug-in within the main sequencer programs: Steinberg Cubase, Digi-design Pro Tools, Ableton Live, Apple Logic Audio, MOTU Digital Performer, Cakewalk Sonar etc. The user customizable MIDI mapping allows you to control the parameters you want to control with your favourite keyboard.

Better than that, use an Arturia Keyboard controller and the interface will automatically change to show the knob and slider layouts so that you get a slick 1:1 user interface. Notes: MiniLab MkII has everything you need to unleash your creativity: MiniLab MkII is a high quality, feature-packed controller which gives you hands-on access to the sounds in your virtual studio.

Breathe new life into your sounds by playing, tweaking, tapping and twisting its rugged controls. This powerful controller also comes with several critically acclaimed software titles that will have you creating professional recordings in no time.

Analog Lab Lite lets you perform using hundreds of legendary synth, piano, organ & string machine sounds. Ableton Live Lite lets you record, arrange, and cultivate your musical ideas into a finished product. UVI Grand is a recreation of the Steinway Model D piano.

Thanks to the constructive feedback from Arturia's family of product owners - people just like you - we have refined the original MiniLab into something new and exciting: Created with the mobile musician in mind, MiniLab MkII has a slim, compact profile which makes it perfect for transporting to and from gigs, and for keeping you creating when you're travelling. With its rugged, durable construction, the revitalized MiniLab can take the strain of life on the road, ready to perform night after night.

Not everyone has the luxury of a spacious studio, and this is where our reinvented controller really shines. MiniLab MkII has a tiny footprint allowing you to place it virtually anywhere within your set-up, even if the only space available is on your lap. The quality of every component has seen an improvement over the original model, from the keybed to the controller knobs, the touch sensors to the outer casing.

Despite the hardware upgrade, MiniLab MkII is still one of the most affordable dedicated controllers on the market. Portable, yet fully featured.

Lightweight but rugged. MiniLab MkII is the new go-to small controller for producers in the know. Time is precious, and you need simple, effective control. MiniLab MkII gives you unadulterated access to your software sounds: Helping you make the most of your virtual instruments and recording software, MiniLab MkII features a great-feeling keybed with 25 slim-keys, 16 knobs, 8 pads, and touch controls in a space-saving package. Whether you want to experiment with a bass line, tap out a solid drum beat, or tweak the parameters of your favorite synth patch, our new controller gives you the freedom to totally control your music any way you like. To help transform your musical ideas into fully-fledged, pro-sounding recordings, MiniLab MkII includes a powerful music production platform, Ableton Live Lite.

Every single one of MiniLab's controls is automatically assigned thanks to dedicated pre-mapping, letting you spend less time in the settings menu and more time making music. Adjust your track levels, tweak filters and effects using the knobs; launch clips, capture drum performance, or control playback with the pads. MiniLab is here to make your musical life easier. From inception to completion, MiniLab MkII keeps you in control every step of the way. MiniLab MkII comes loaded with some of the best software around: Our new MiniLab is a pure controller which - while containing no onboard sounds - lets you play, tweak, and manipulate software instruments via MIDI. To get your virtual recording studio up and running, we have included a wealth of professional quality instruments and production software to take your music to exciting new places.

Notes: The ultimate synth, organ, piano, and performance keyboard anthology. 21 seminal instruments, supercharged, and at your command. Bringing together over 100 years of landmark keyboard instruments in one software package, the sounds behind every hit, every genre, and every musical movement are now at your fingertips. Painstakingly recreated in beautiful detail, every single instrument in V Collection 6 will blow you away. Using advanced technologies, easy-to-use graphical interfaces, and a strong focus on presets by working with some of the world's best sound designers, V Collection 6 will give you the inspiration you've always dreamed of. Whichever instruments you use you can be sure of one thing: Arturia paid tribute to the original machine, built upon this legacy, and added a new generation of features opening new possibilities to the contemporary musician. Fabulous Four: Pooling together the combined knowledge, talent, and musical vision of many of the world's finest sound designers, your new instruments will sing straight out of the box.

Buchla Easel V: Don Buchla's leftfield analog synth from 1973, the Music Easel changed the way people created sounds with performance-focused parameters, putting the focus on the artistry of being a recording artist. Perfect for exploring alternative sound design, creating ambient, widescreen textures, and unfamiliar sequences. Taking Buchla's experimental vision one step further, Arturia have incorporated Gravity, a physics-based synth engine into their software recreation, letting you take music where no one has gone before. DX7 V: The Yamaha DX-7 needs no introduction, and its legacy is felt in charts around the world to this day. If you've ever listened to the radio, watched a film, or owned any 80s records, you'll have heard the DX-7. Notoriously tricky to program, Arturia's recreation simplifies the process by vastly improving the interface, and expands its synth capabilities with a mod matrix, customizable envelopes, extra waveforms, a 2nd LFO, effects, sequencer, arpeggiator, and more.

CMI V: Known as the mother of all samplers, and a groundbreaking additive synth, the Fairlight CMI truly redefined pop music production following its release in 1979. Arturia's recreation builds on the features of the original by providing 10 multitimbral, polyphonic slots to design your sound, real-time waveform shaping, effects, a sequencer, and even a brand new 'Spectral' synth that can scan and mix sections of audio, letting you create your own wavetable synth sounds. Clavinet V: Arguably the most famous, influential electric keyboard of all time, the legacy of the Clavinet is everywhere. Released by Hohner in the mid-60s, its funky, energetic tone gave life to myriad genres over the decades. From disco to R&B, prog rock to pure, unadulterated pop, the percussive, soulful sound of this legendary performance keyboard is reborn in Clavinet V.

Arturia's physically modelled recreation lets you dig deeper into the instrument, changing the physical properties of the instrument, and adding classic amp and effects combos into the mix. Developments: V Collection 6 not only includes new instruments, but features major updates to the other included instruments. That equates to a complete collection of 21 vastly different yet powerful tools to craft your next audible masterpiece. Review: ASC is a perfect fit for Silent Season, favouring as he does greyscale melodic content and a cerebral approach to mutant techno. 'Cerulean' is a fine opening gambit on this 12', all crooked kick patterns and micro bleeps calling out into nothing, while 'Dimension 1010' maintains the austere approach with a slow swell of melancholic ambience over a meditative rhythm.

'Enchanted' is no less restrained, but there's a subtle shard of light in the murmuring pad that lingers in the background. That's well and truly dealt with on the bleak beatdown 'Molniya', which pings bleakest techno into a black hole of sound, which is of course a wonderful thing to behold. Review: Techy house-headz, Audiotheque and Nima Gorji, launch the Genesis imprint with new and exciting strains of highly calibrated dance formulas for anyone into, well, GOOD music!

Audiotheque's 'Toolbox' dominates the A-side with a relentlessly addictive bassline, sounding a bit like a blend between Dubfire and Boddika, carried on the back of what remains a largely minimalistic beat structure - what a winner! Gorji's 'Why So Serious' is no less effective, but the producer has focussed more on the beat swing, creating a hypnotic loop clustered with all sorts of wild atmospherics for the smaller hours.

Notes: An all-inclusive, hand crafted, collector's box, created by Brian Dubois (of 2:37am Studios) and Arnold Steiner - in association with AUX88. This Collector's box was conceived from sketches and conversations between the members while planning the Aux 88 Portrait Of An Electronic Band documentary. Featuring over 9.2 hours of footage: - Blu Ray Disc 1: The origins and early Aux88 beginnings - Blu Ray Disc 2: Artists worldwide give their opinions of the group - Blu Ray Disc 3: Behind the scenes/Bonus Features - Soundtrack CD Plus: - 'An Altered Road' book: 104 page autobiography written by Anthony 'BlakTony' Horton. The book exposes the micro-details of each member of the group, and gives insight into their humble beginnings from Detroit, and the movement the group created in reviving electro music. - AUX88 watch: Comfortable wrist band, stylish and designed for durability and fashion. AUX88 chose this watch to carry their logo with style and prestige.

Review: Thanks to recent releases on Hotflush and Stroboscopic Artefacts, Yotam Anvi is a producer on the rise. Here the Israeli DJ/producer makes his debut on Dixon and Ame's Innervisions imprints, suggesting his place in the big time is secured for some time to come. Perhaps the most impressive aspect of lead cut 'Midas Touch' is the track's intoxicating late night atmosphere, a mood created via the use of drifting Middle Eastern vocal samples, psychedelic acid lines and a thrusting, low-slung tech-house groove. Anvi's Arabic influences once more come to the fore on 'Jorniel', where exotic melodies and gentle acoustic guitar solos weave in and out of another bustling, bass-heavy rhythm track. Review: Rewind to 1975, Brazilian supergroup Azymuth hit their richest creative vein with this self-titled full-length. Just as the band remain so themselves, this is still hugely relevant and ridiculously on-point considering it's 40 years on the clock. Proof can be found on every track from the sedative harmonic charms of the opener 'Linha Do Horizonte', the raw slap bass funk, velvet keys and soaring synths on 'Seems Like This' and the frenetic, almost techy mentality of 'Wait For My Turn'.

An essential addition to any collection, this would have blown minds to pieces back in 1975. Review: Following the passing of their brother and bandmate James 'Frankie' Boyce in Vietnam - founder and musical arranger of the Plainfield Admirations - siblings Jo Jo and Richard Boyce reformed after military service as BAGS with Glenn Goins in the early 70s, but only released a handful of 45s and madly these two incredible tracks never saw the light of the lathe. The 70's loss is 2017's gain as both finally get the justice they deserve on limited 300 copies. Fronted by Parliament/Funkadelic and Rock & Roll Hall of Fame's Glenn Goins, 'Hey Girl' is a soft honey-toned balled while 'Beautiful Birds' ups the gear for a pumping soul disco romp that's powered by triumphant urgency.

There's lots to admire here. Review: The latest release on Canada's Seance Centre label focuses on the work of long-serving Dutch experimentalist Michel Banabila, gathering together examples of his 'excursions into otherworldly and imagined realms'.

The first record boasts tracks recorded between 1987 and 2017, shuffling between humid, percussion-led workouts, exotic ambience, dark and creepy soundscapes and sticky electronic/acoustic fusion. The second record (clips of which are not featured here) replicates the track list of the Rotterdam artist's 1983 album Marill, a sought-after, LSD-inspired trip into Brian Eno and David Byrne territory that remains one of the most thrillingly odd (but pleasingly beautiful) ambient albums of the period. In other words, it's an absolutely essential package. Review: There has never been a moment in time where France's Versatile imprint stopped to innovate and evolve. They are, without a doubt, one off the most prolific and trusted imprints to have ever graced our dance charts over the years. As such, they're back with a collaboration from two compatriots, the renowned Pierre Bastien (Rephlex, Morphine etc etc), and relative newcomer Eddie Ladoire.

The duo have only recently struck a studio relationship, thanks to an LP for Un Je-Ne-Sais-Quoi, and they are clearly in sync. Phantom Dance consists of one original, a vast, explorative journey of synths held together by a loose percussion, a remix from Suzanne Kraft, who comes through with a more dubby, beat-heavy approach, and two more mixes - the killer Oceanic club version, and the loser, ambient-rich Oceanic Garden version. Notes: The BitBoard is a breadboard add-on module that allows users to build custom circuits and user interfaces for the BitRanger. It is solidly attached to the BitRanger and provides performance friendly stability. It either comes just on its own, or with with 2 pots, 2 buttons and 4 switches which can help you to start designing your own bitRanger interface.

The BitBoard is closely linked to a project called OMSYNTH which is a breadboard based open modular synthesizer by Casper electronics. Several tutorials on how to make circuits are available on the OMSYNTH webpage. Notes: The BitBoard is a breadboard add-on module that allows users to build custom circuits and user interfaces for the BitRanger. It is solidly attached to the BitRanger and provides performance friendly stability. It either comes just on its own, or with with 2 pots, 2 buttons and 4 switches which can help you to start designing your own bitRanger interface. The BitBoard is closely linked to a project called OMSYNTH which is a breadboard based open modular synthesizer by Casper electronics. Several tutorials on how to make circuits are available on the OMSYNTH webpage.

Notes: Kastle is a mini modular synthesizer with a headphone output, 2 in/out ports for interfacing other gear and it runs on just 3 AA batteries. It is DIY friendly and ideal for beginners in modular synthesis, but it will add some quite unique functionality to any modular synthesizer system. It delivers the fun of modular synthesis at a low cost and fits into your pocket so you can play it everywhere!

It has a unique digital lo-fi sound and it can be melodic as well as very noisy and drony, soft or harsh. It is designed to be fun on its own but it is most powerful when combined with other modular gear. Kastle is an open source DIY project which runs on two Attiny 85 chips that can be reprogrammed with an Arduino (google: 'programming Attiny 85 with Arduino'). One chip is dedicated to sound generation while the other one handles modulation. Several firmwares for the Attiny chips are available thru gitHub.

The v1.5 version combines a complex oscillator and LFO with stepped waveform generator. The oscillator section has 3 sound parameters: PITCH, TIMBRE and WAVESHAPE - all under voltage control and with 6 different synthesis modes. It has a main output and a secondary waveform output.

Both can be used independently or in combination. The 3 synthesis modes available thru the main output are: phase modulation, noise mode and track & hold modulation. There are 3 more modes on the secondary OSC output: phase distortion, tonal noise mode and formant synthesis. Each mode utilizes one or two oscillators. The PITCH parameter controls the main oscillator, the TIMBRE sets the PITCH of the modulating oscillator and the WAVESHAPE depends on the synthesis mode. The voltage controllable LFO has a triangle and square output and a reset input.

The stepped waveform generator is inspired by the Rungler circuit by Rob Hordijk. It can produce 8 different voltages either in random order or in 8 or 16 step looping patterns depending on how the BIT IN is patched. In the box: - Kastle synth - 10 patch cables - Sticker Read more. Notes: The Synapsis is a 4x4 pushbutton matrix that offers performative control of the Bit Ranger.

There are 8 patch points connected to 4 rows (ABCD) and 4 columns (1234) of buttons. Pressing button A1 connects point A to point 1. A2 connects A to 2. B2 connects B to 2 and so on. Package includes: - The Synapsis - 10 short + 10 long jumper wires - Hex key Using the Synapsis: It is best used by dedicating rows to outputs (like divider or mix bits) and columns to inputs (like the byte section or inhibit points).

In this configuration every possible combination of buttons will connect outputs to inputs and cause a change in the behaviour of the BitRanger. As always it is best to experiment and try new things. Installing the Synapsis: - Remove the screws from the bottom of the bit ranger and then remove the bottom plate. - Remove the small section of plastic from the front edge of the face plate and place it somewhere safe. In newer models there is a slot in the middle of the bottom opening where the mini plate can be placed for storage.

- Screw the bottom plate back onto the BitRanger. - Slide the Synapsis into the opening in the front. - Place screws through the holes in the front of the bottom plate to secure Synapsis in place.

Review: Thirteen studio albums in, and 'Colors' sees Beck maybe at his most playful and upbeat since the late '90s. Title track 'Colors' opens the albums with an immediacy that bursts out like a heavily polished 'Devil's Haircut'.

The album veers off in all kinds of pop directions, from the anthemic 'Seventh Heaven', to the almost trap-like 'Wow', Beck shows he's willing to experiment and wrangle as much as possible into an album. It might not be his most contemplative record, but it's definitely his glossiest and most entertaining in a while, and promises a rollercoaster ride from start to finish. Review: Some serious peak time weapons for the main room on offer here, from the ever reliable Swedish label Drumcode. Usual heroes of the label such as Luigi Madonna, Sam Paganini and Joseph Capriati step aside for some other equally reliable staples.

On the A, side label boss Adam Beyer teams up with Enrico Sangiuliano on the evocative and life affirming 'Preset Heaven' which takes its cues from early trance with its amazing chord progression. It is something more typical of the label next, on the pummelling warehouse stomp of 'Muzik' by Bulgaria's Timmo.

On the flip, there's more trance nostalgia on offer again - this time from legends Pig & Dan on the hypnotic/melodic bliss of 'La Bruja' which we could imagine melting the minds of festival crowds well into the new year. Finally they save the best for last with French peak time specialist Julian Jeweil, serving up the furious, tunneling and strobe-lit ultraviolence of 'Nasa' which will have your adrenaline going from the first beat. It has been a stellar year for the powerhouse label, with great releases by Moby, Dubfire and newcomer Layton Giordani.

Review: Moto Music round off a cracking year with this essential collection of deep diving techno finery from Bigeneric, one of Marco Repetto's many long-lasting aliases. The Swiss polymath is a dab hand at wringing illustrious machine soul out of his machines, whether it be crafty, head-snagging rhythms or plush and expressive threads of synth work, and on this double pack you get an abundance of both. With one foot firmly in the heritage of Detroit and the other gazing into the stellar orbit of the finest European techno dreamers, this is elegant, thoughtful electronic music of the highest order. Review: Norway's Geir Jenssen is one of ambient's true pioneers. A man who has done nothing but good to the scene, stretching its boundaries across different sounds and harmonic landscapes.

He's so renowned, in fact, that even his albums from the post 00's era are worthy of represses, such as this 2002 outing on London's Touch, Shenzhou. It is an impossible task to condense its freeform structures into words, a wide-eyed horizon that blends field recordings and reverb-laden pools of sonics into neatly executed frameworks. This is all about feeling and mood - it's what Biosphere thrives on. Review: This tasty, DJ-friendly 7' single boasts two extended, break-heavy reworks of obscure and in-demand soul workouts.

On the A-side you'll find a tasty extension of Melvin Bliss's superb, piano-heavy 1983 cut 'Synthetic Substitution'. While Bliss's brilliant original - all heartfelt vocals, jaunty keys and warm bass - is largely kept in tact, the mystery re-editor naturally makes more of the opening breakbeat, which was sampled several times during hip-hop's 'golden era'. Flip for a similarly tasty rearrangement of Sweet Daddy Floyd's 1978 Blaxploitation style disco-funk shuffler 'I Just Can't Help Myself', a cut rich in rolling breaks, densely layered percussion, punchy orchestration and 'Shaft'-style guitar licks. Review: Over two years at the tail end of the 1990s, Damon Wild and Mederic Nebinger delivered a string of impressive 12' singles as Blue Maxx. 1998's Private Life EP, which featured a trio of untitled tracks, was arguably the strongest of the lot - a fact that perhaps explains the high prices of second-hand copies online. This timely reissue presents all three tracks as they were all those years ago, beginning with the bustling, Motor City-influenced groove and warm, New Jersey style organs of 'Track 1'.

Over on the flip, 'Track 2' is a deep and spacey affair, with bleeping, high register melodies and sumptuous chords riding a hybrid electro/techno beat pattern, while 'Track 3' is a classic chunk of Detroit techno lusciousness. Review: Soon, Bristol beat-maker Boca 45 will celebrate 20 years in the game with a compilation on Bomb Strikes entitled Bombs From The Vaults. This typically floor friendly 7' is described by the label as a 'companion piece' and contains two sticks of bona fide dancefloor dynamite. On the A-side, the cider-loving producer joins forces with West Country band Mohawkestra, cutting up recordings of the funk outfit in action with emphasis on the combo's DJ-friendly breakbeats. On the flip, Regular Boca 45 collaborator Kelvin Swaby takes to the mic, delivering a gravelly funk-rock vocal that perfectly compliments the producer's killer manipulations of an old dancefloor anthem. Review: Formerly Halo Cyan Records, Halocyan was rebranded and renamed in 2014. It is a sublabel of Phthalo, launched by LA musician Dimitri Fergadis.

It's had some great artists appear recently in the form of Paul Woolford, Extrawelt and of course the legendary Dave Angel - who presented the last two releases as part of the Incoming series. Next up is Bristol's Borai, who has had releases on top local labels like BRSTL and Happy Skull in addition to internationals Tasteful Nudes and Retrofit. Dark Of The Sun features a variety of moods that are all expertly executed for whatever the occasion. From the evocative opening track 'On The Horizon' which has a Detroit hi-tech soul type of vibe which we really enjoyed.

The title track is more straight ahead with its Berlin style warehouse stomp, complimented by suspense filled dub chords, pounding drums and hypnotic pads. Finally 'Wetware' takes it down a notch or two on this retro-flavoured deep tech house number - which is perfect to play just before the lights come on.

Review: As the current minimal sound further branches out into new, funkier shades of tech, labels like NCSS are surfacing left, right and centre, and what a pleasure it is to see the scene evolve so well. The crew launch their first EP with a collaboration across four tunes, each one of them offering its own shade of electronics. 'Box Of Frogs', by Bowyer, opens the A-side with a nutty sequence of grainy beats and a funky-ass bassline with a dark twist, followed by Tjin's more stripped back burner, 'Xoi2'. 'Mocki' from POM is deeper, more meditative, and offers something jazzier, whereas Will Do's 'Inori' goes for the Balearic approach, entering a dreamy world of ice-cold pads and soulful atmospherics.

Review: This EP offers a double dose of debuts, with both Bugsy (a hotly tipped Milanese DJ/producer) and Astroloop making their bows. They begin with 'Svegsy', an impressively deep, woozy and fluid concoction that peppers a loose, percussion-rich deep house groove with hazy chords, tactile synth bass and a vocal sample once utilized by acid house sort Armando. Elsewhere, 'New Vision' sees them wrap a chunky, analogue-rich bassline and rhythm track with spacey electronics and 'Ghost Song' is a quietly soulful trip into rolling, ultra-deep house. Boo Williams steps up to remix the latter track, serving up a superb interpretation that sounds like a trippy tribute to Omar S's more electronic moments with added synthesizer solos. Review: There's usually a fair amount of funk at the heart of Lee Burton's on-point tech-house productions. That's certainly the case here; both A-side 'Pattern A 36' and title track 'And Nothing But The Tooth' are built around bumpin' drumbeats and rubbery, thickset basslines.

Of the two, it's the gently spacey and melodious B-side roller, whose bassline attractively rises and falls while mutilated female vocal samples drift across the sound space, that probably hits home hardest. Even so, there's something undeniably attractive about the fizzing electrofunk synth line that frequently makes an appearance on 'Pattern A 36'. Review: Surprisingly, it's been two years since the last 12' from Cally, a Romanian tech-house producer with a string of previous releases for Fear of Flying, Inwave and Neostrictly under his belt. This is his first appearance on Malonian and sees him lay down three meandering, quietly attractive dancefloor rollers. On the A-side you'll find 'Kaldaer', a ten-minute trip into slowly shifting motifs, low-slung bass and shuffling percussive hypnotism.

He takes a slightly more positive and melodious approach on the flip, wrapping wavy ambient chords around a languid groove on 'Cutie', before rounding things off via the sun-kissed warmth, poolside tech-house grooves and atmospheric background field recordings of 'Shiftherise'. Review: Calm's 'Shining of Life', a nu-jazz era fusion of soulful U.S house influences, jazzy instrumentation and life-affirming goodtime vibes, first appeared in stores way back in 2004. Here the Japanese producer has chosen to revisit his noughties classic, serving up a brand new '2017 Full Moon Mix' that pushes the track's gospel style vocals, fluid pianos, mazy synths and tasty, disco-influenced grooves to the fore. It's a superb revision, all told, and arguably even better than the near peerless original. On the flip you'll find an unreleased version from the archives that sounds like some long lost Frankie Knuckles remix - all expansive, eyes-closed piano solos, tactile synth bass and unfussy Chicago house beats. Review: There's a fair chance you'll already have heard 'Cola', experienced production duo Camelphat's collaboration with vocalist Elderbrook. The original version, with its rumbling bass, atmospheric builds, subtle bassline house influence and 'she sips the Coca-Cola' refrain, has become something of an anthem since first appearing on digital download earlier in the year.

For this first vinyl release, Defected has packaged the now-familiar original mix with a trio of reworks. The most impressive of these comes from German veteran Mousse T. He brilliantly re-casts the track as a bumpin' chunk of celebratory disco-house complete with thrilling piano riffs and an elastic bassline.

Review: New Berlin imprint Panea is a concept based on sharing the passion for music and 'to provide talented musicians, DJs and producers with valuable opportunities.' More power to them we say!

They're definitely off to a good start when you consider they've recruited a couple of the Slow Life alumni, namely Pepe Villalba; who provides the dusty and broken groove of 'Earthbreak' and of course Saverio Celestri with the hypnotic lo-tech soul of 'November Sun'. Elsewhere, there's other fine grooves by Gustavo Cardenas & Dirty Lemon with the rolling hypno-groove of 'On The Basis' and Primary Perception with another lovely excursion in broken beat deep house on 'Voicing'. Review: The latest missive from re-born Washington D.C label Al & The Kidd Records should excite those who love the classic Philadelphia International sound. It features previously unheard instrumental versions of all four tracks from the B-side of Jean Carn's Dexter Wansel-produced full-length When I Find You Love. In some ways, it's testament to the quality of Wansel's production and the musicians involved that all four cuts still sparkle without her headline vocals.

This is particularly notable on synth-sporting dancefloor bumper 'What's On Your Mind', where the rubbery bassline, sharp orchestration and Wanzel's spacey synths take centre stage, and 'Lonely Girl In a Cold Cold World', which features some superb, eyes-closed guitar solos. Review: Experienced Irish producer Derek Carr has been in fine form this year, serving up well-regarded EPs via Revole, Firescope and For Those That Knoe. There's plenty more to savour from the one-time Nice & Nasty regular on this first appearance on Into The Deep.

Carr puts his trusty TB-303 front and centre on 'Aquitaine' and 'Bad Robots', both of which sit somewhere between acid house, deep house, electro and futurist Motor City techno. He moves further towards hypnotic, mind-altering late night techno territory via the fizzing riffs, deep space electronics and unfussy drums of 'Counterfeit', before joining the dots between melodious electro and intelligent techno and positive and spacey closer 'Sector 7G'. Review: Mysterious production entity CEM3340 won plenty of plaudits for debut 12' Polaris One, a fine electro three-tracker that tended towards the intergalactic end of the spectrum. That set sounded like something that could have appeared in 1984 or '85 - albeit with a few sleazier, acid house-era touches - so it's no surprise to find that this follow-up is similar in tone. Opener 'Polaris', for example, boasts a tasty mixture of short vocal vocals, deep space melodies lines and throbbing analogue beats and bass. The EP's other two cuts, 'Electronic Orchestra' and '007013200', both sound like long-lost Cybotron jams from the period when they made 'Clear' and 'Techno City'.

In other words, this is retro-futurist electro of the highest quality. Review: Chad's got so much bounce to the ounce, he's come packing 22 of them. Classically carved and arranged, the title track has that timeless 07 swagger where the bassline Q&A flops around the kicks in such a disarming and infectious way. Elsewhere we're crushed by the bassweight of 'Elephant', we're tripped out by the classic staccato croaks and eerie textures of 'Under The Influence' before signing out with the mystic, smoke-stacked centrepiece 'Flute Dem'. Pound for pound, Chad don't get any deeper than this. Review: We can think of few finer stocking fillers for funk aficonados than this fifth Funk & Soul Club compilation from actor/comedian-turned-radio host Craig Charles.

As with previous volumes, the Red Dwarf star and BB 6 Music host has included a mixture of original funk era cuts and recent revivalist gems. In the latter category you'll find a stellar instrumental cover of Rick James' 'Super Freak' by The Traffic, the dancefloor-burning sound of Nicole Willis and the UMO Orchestra and the brilliant boogie revivalism of Australian singer Kylie Audist. In terms of deeper older selections, look no further than the 1973 jazz-funk re-make of Marvin Gaye's 'Inner City Blues' by Brian Auger's Oblivion Express and the Afro-funk explosion that is 'Nawa' by Ginger Baker & His African Messengers. Review: Following up that awesome last release by Closed Paradise and one by Thatmanmonkz, the mysterious Parisian Chevals joins District Of Columbia based Better Listen for their eighth outing, after making his debut on NYC's Homage with a global affair.

The sultry and bumpin' disco house of 'Hot!' Starts things burning up fairly quick on the A side, looped to perfection much like early Rick Wade or DJ Sneak. It is followed by the smooth, early evening boogie-down vibe of 'Layover' featuring yet more come hither vocals and hypnotic xylophone action. On the flip, we have a surprise in the from of the blunted hip-hop joint that is 'Homecoming' getting that gritty MPC feel on, with choice use of sampling.

Review: Two epic ambient journeys from an underrated hero of the underground. Hanyo van Oosterom is a musician and promoter from Rotterdam. He was part of Chi (1984 - 1987), Byzantium (1997 - 1998) and One Cent People since 2002. He has never met Rod Modell (Deepchord) in person, but they have met through music. Story has it that Modell is said to have found an obscure cassette of Chi music and sent it to Astral Industries - which paved the way for the release of 'The Original Recordings' in 2016. Since then, they have exchanged ideas and music. Van Oosterom sent Modell a preview of 'The Kallikatsou Recordings' which he liked it and inspired the idea for a remix of 'Lanterns'.

He sent the first sketches to him, but they ended up in the wrong inbox. Months later he responded, apparently saying he loved them so much that they needed to be released. Van Oosterom is said to have used lo-fi approach on these tracks: manipulating the samples, time-stretching, tempo and pitch-shifting, mixing different layers and using effects in addition to field recordings, voices and samples from his early cassettes. Review: For Slovenian label HouseOnWax's third release, they've rounded up some top names.

Laurent Ci hails from San Benedetto del Tronto, Italy and follows up some great releases on the likes of Ewax, Blind Vision, Moral Fiber, and Nordik with his offering 'Welcome All' which is a groovy acid house dancefloor bomb. The Ewax boss from Berlin SY provided a real highlight too, on the hypnotic groove 'Time' which will appeal to fans of iO (Mulen) or S.A.M. On the flip, Japan's Yusuke Yamamoto gets deep and dusty on 'Construction Site' and Frenchman Maxime Garnier aka Mjog has the minimal side of things covered on the entrancing afterhours groove of 'Camelia' channeling those sublime Romanian style vibes. The label says it is inspired by early white label house music releases. Vinyl only, limited copies, no digital promotion. The label has previously served up releases by Italians Re.Named, Stockholm's Niklas Andersson and Miami's Avstin Frank.

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14 Mar 2014 This document we will discuss the usage of Manual Reorder Point Planning. Reorder Point Planning: In RPP once stocks falls below the reorder point then system will trigger the procurement proposal. There are two types of reorder point planning. Manual Reorder Point Planning: In manual reorder point Many translated example sentences containing 'reorder point planning' – Portuguese-English dictionary and search engine for Portuguese translations.

In addition to the safety stock level, the system recalculates the reorder level for articles which are subject to automatic reorder level adjustment. Ademas del nivel del stock de seguridad, el sistema recalcula el punto de pedido para los materiales sujetos al ajuste automatico del punto de pedido 4 Aug 2009 Hi We recommend to use V for our MP settings as we are using Reservation functions and re-order point.But if we run MP by PD / V, both are giving procurement proposals. We have maximum / Minimum lot size. Can any please explain me, how it is going. Further MRP types are provided in the standard system (an MRP type with manual reorder point planning and one with automatic reorder point planning).

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It's fairly Gradius of the official Lionhead community and developer team had hinted at a possible future DLC regarding the large gate at the end of the Veiled Path, responding that, 'Aurora is actually bigger than Albion if you look at the world map. 21 Jan 2011 29 Oct 2010 Fable III Collectables Guide Fable 3. Silver & Gold Keys + Special Key; Gnomes; Auroran Flowers; Brightwall Books; Demon Doors. I've taken all the info The Veiled Path #3 - At the staircase at the far end of The Veiled Path is the entrance to The Enigma area.

Look for a flit switch at the end of the room. 4 Nov 2010 Our Fable 3 Gnomes Guide lists all 50 gnomes in Fable 3 and provides detailed directions for locating them all. Managing to destroy them all earns you the Gnome Invasion achievement and 40 Guild Seals, so grab your rifle and lets hunt some gnome. Introduction; Brightwall Dweller Camp Mistpeak Valley Bowerstone Industrials Bowerstone Old Quarters City of Aurora Silverpine Bowerstone Market Millfields Driftwood Mourningwood Sunset House Bowerstone Castle Shifting Sands The Veiled Path.

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Love for his people a As the gift has been given to you, provide the same to another a Let's pay it forward in multitudes. G The Best Resources a Day Four – The Pilgrim's Continued Journey. G Provided in your Walk Emmaus & Chrysalis.?Que es Crisalida? Format: Print Book. Este librillo es Chrysalis Team Manual.

Format: Print Book. The Chrysalis Team Manual helps the Crisalida Manual sobre Crisalida de El Aposento Alto. Crisalida Manual Directore/as. Este manual apoya las funciones de los lideres Meal Blessing Downloads. The International Emmaus Office grants permission to all Emmaus Communities to use these new songs during Emmaus Walks. Communities who download and use the songs are invited to make a donation to the Emmaus Office for the International Development fund.

This fund will be used to Purchase Area Walk to Emmaus SPONSORS GUIDE. Quality sponsorship is vital to the Walk to Emmaus experience. There is a tendency to underestimate the importance Plan to arrange for transportation to the Emmaus site and accompany the pilgrim there. This is reassuring to the pilgrim and an opportunity to pray for 10 Apr 2015 Handbook on Emmaus,” “Walk to Emmaus Director's Manual” and “Walk to. Team Manual and Rio Texas Emmaus & Chrysalis Community Office outlines for the 15 talks (10 lay and 5 clergy); c.. Lay Directors should notify all Sponsors of Pilgrims on the Waiting List to be ready with agape letters in the.

Emmaus Worship Booklet EPub: The Upper Room A copy of this booklet is given to pilgrims at the beginning of the 72-hour event. It is used at every worship session throughout the weekend and during Fourth Day for private or corporate prayer and meditation. The quality of sponsorship influences the pilgrims/butterfly's, the Emmaus/ Chrysalis movement, and the churches and communities affected by the movement.

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Cliquez sur l'une des photos pour lancer le diaporama. A deux pas de la Madeleine, du Jardin des Tuileries et de la place Vendome, le restaurant Goumard, un des meilleurs restaurants de produits de la mer de Paris, vous ouvre ses portes. Il vous laisse decouvrir le charme subtil d'un etablissement Decouvrez les meilleurs restaurants for Paris. Recherchez, selectionnez et reservez votre restaurant prefere. 8 Jun 2006 Read the Avoid: Restaurant Goumard, Paris discussion from the Chowhound Restaurants, France food community.

Arrogant and rude as the worst Parisian so I just gave it him straight - told him it was a disgrace to the Michelin guide and referenced numerous other restauarnts in France who do it better. Michelin Red Guide awards from 1 to 3 stars to the most outstanding restaurants, solely based on the cooking and wine list.

Stars in brackets means they have recently been lost. Many restaurants are recommended by the guide without being awarded any star.

These are simply indicated here by a 'yes' in this column. Michelin Guide. This restaurant dating back over a century has been given a new lease of life.

Contemporary decor, a selection of meat dishes, plus a choice of seafood specialities (oysters at the bar). 52 avis pour Goumard 'Tres bon restaurant avec pour specialite le poisson. Cadre tres agreable meme si la salle principale est bruyante. Les poissons sont toujours d'une fraicheur irreprochable. Un service parfait et surtout garder de la place Paris Michelin restaurants: find the best restaurants in Paris thanks to the Michelin Guide selection. Starred restaurants and Bib Gourmands in Paris - ViaMichelin. Goumard is a well known seafood restaurant situated near the Madeleine, the Jardin des Tuilleries and the Place Vendome in the 1st arrondissement of Paris.

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