Sibling to the Dark Reprise, only it's the Good Twin of the pair. While a Dark Reprise is a dark, ominous version of a previous song, the Triumphant Reprise.

• ' Released: July 13, 1992 Professional ratings Review scores Source Rating Movie Music UK Musicfromthemovies favorable Scoresounds Soundtrack-Express Batman Returns: Original Motion Picture Score is the score album for the 1992 film. The soundtrack also includes ', written by and Elfman, used to promote the movie prior to its release. Two versions of the music video were made (the other added shots from the movie), and a club version, remixed by, was released. Elfman added chorus to the main theme making it similar but not as dark as the original. Contents • • • • Track listing [ ] • 'Birth of a Penguin' – 2:27 • 'Opening Titles' – 3:09 • 'To the Present' – 0:57 • 'The Lair' – 4:49 • 'Selina Kyle' – 1:11 • 'Selina Transforms' – 4:16 • 'The Cemetery' – 2:55 • 'Cat Suite' – 5:42 • 'Batman vs. The Circus' – 2:35 • 'The Rise.' – 1:41 • '.And Fall from Grace' – 4:08 • 'Sore Spots' – 2:16 • 'Rooftops' – 4:19 • 'Wild Ride' – 3:34 • 'The Children's Hour' – 1:47 • 'The Final Confrontation' – 5:12 • 'Penguin Army' – 4:54 • 'Selina's Electrocution' – 2:40 • 'The Finale' – 2:19 • 'End Credits' – 4:42 • ' by – 4:17 The titles for tracks 1-6, 10 and 11, 13 and 14, and 16-19 are not official titles, as they are suggested by the film music site.

The album art combines those tracks respectively in pairs and lists them as 'Birth of a Penguin' (Tracks 1 and 2), 'The Lair' (3 and 4), 'Selina Transforms' (5 and 6), 'The Rise and Fall from Grace' (10 and 11), 'Rooftops/Wild Ride' (13 and 14), 'The Final Confrontation' (16 and 17) and 'The Finale' (18 and 19). Online databases of the album usually list the tracks as parts 'I and II' or with 'Cont.'

This titling prompted confusion on consumers, and was heavily criticized by Filmtracks. Complete score [ ] released Danny Elfman's complete score to Batman Returns on November 30, 2010. Disc one • 'Birth of a Penguin/Main Title' – 5:38 • 'Penguin Spies'* – 1:09 • 'Shadow of Doom*/Clown Attack*/Introducing the Bat**' – 5:01 • 'Intro*/The Zoo**/The Lair' – 6:00 • 'Caught in the Act*/Uh-Oh Max*' – 1:58 • 'Kitty Party*/Selina Transforms**' – 5:30 • 'Penguin's Grand Deed'* – 1:50 • 'The List Begins'* – 0:45 • 'The Cemetery' – 2:56 • 'Catwoman Saves Joan*/The New Woman*' – 2:03 • 'Penguin's Surprise' – 1:43 • 'Bad, Bad Dog**/Batman vs.

• McDonald, Steven. Retrieved 15 September 2011. 24 September 1996.

Retrieved 15 September 2011. • Lysy, Craig (30 January 2011).. Retrieved 15 September 2011.

Retrieved 15 September 2011. • Engelhorn, Isaac.. Retrieved 15 September 2011. Archived from on 2011-07-23. Retrieved 15 September 2011. • Herzog, John (18 April 2001)...

Retrieved 15 September 2011. Archived from on 2010-12-17. Retrieved 2 January 2011. Retrieved 23 May 2010.

This Sunday marks the 30th anniversary of the classic supernatural action-comedy “,” which hit theaters on Friday June 8th, 1984. One of the most beloved films of its generation, the Ivan Reitman-directed movie is remembered for its sharp, funny, tight script (co-written by the late Harold Ramis), still-superb visual effects, great performances from the likes of Bill Murray, Dan Aykroyd, Sigourney Weaver, Ernie Hudson and Ramis, and being a rare example of the successful blend of blockbuster fantasy and comedy. It’s also, for better or worse, remembered for Ray Parker Jr’s iconic theme tune, a smash-hit at the time, which earned an Oscar nomination. We’re in an era where the movie theme song is something of a dead art (though the recent success of “ Skyfall” and “Let It Go” from “ Frozen” might see that change), but in the 1980s, it was in its prime, and many of the decade’s biggest sellers were directly connected to some of its biggest movies.

So, to celebrate the 30th anniversary of “Ghostbusters” and Parker Jr’s song, we’ve trawled through the archives to select 20 of the best, or at least most memorably iconic, theme songs from 1980s movies, because we ain’t afraid of no ghosts. The only rule: they had to be songs written specifically for the film, and not released prior to the movie, ruling out cover versions and the like. Watch, listen, and disagree below, and for more on “Ghostbusters,” “Ghostbusters” – Ray Parker Jr – “Ghostbusters” Essentially inseparable from the film from which it came (try and look at the logo or DVD cover without hearing a snippet from the song), the theme tune to the fantasy comedy smash is undoubtedly one of the best known theme tunes in cinema history, even if it is (whisper it), a bit naff. Penned and performed by erstwhile Raydio frontman Ray Parker Jr, it topped the Billboard charts for three weeks, and was nominated for an Oscar (though lost to Stevie Wonder’s “I Just Called To Say I Love You” from “ The Woman In Red“). It caused friction with another 80s idol: Huey Lewis sued over similarities to his track “I Want A New Drug,” the matter eventually being settled out of court). “Eye Of The Tiger” – Survivor” – “Rocky III” (1982) When his request to use “Another One Bites The Dust” was turned down by Queen, Sylvester Stallone needed an inspirational theme for the third in his boxing franchise, and turned to relatively little-known rock band Survivor, whose first Top 40 hit “Poor Man’s Son” had caught the writer/director/star’s ear.

The band delivered: their inspirational “Eye Of The Tiger” will forever be associated with the franchise, even if it’s the most memorable part of the third film (the one that Mr. T as the adversary).

The song was a monster hit, the second biggest selling of that year, and even went on to inspire its own film, 1986’s Gary Busey vehicle of the same name. “Call Me” – Blondie – “American Gigolo” (1980) As with so many of the songs on this list, “ Call Me” might not even exist had someone else not turned down work: electronic legend Giorgio Moroder, who was composing the score for Paul Schrader’s “ American Gigolo,” initially approached Stevie Nicks to write a song for the soundtrack, but contractual issues prevented the Fleetwood Mac star from coming through. Alicia En El Pais De Los Cuantos Pdf Download. Instead, Debbie Harry and Blondie teamed up with Moroder: the result, “Call Me,” provided the perfect introduction to Schrader’s film, the Doctor Who bassline and growly Harry vocals helping bring viewers into a new 1980s of Jerry Bruckheimer-produced excess. The song also turned out to be the biggest seller of the year.

“Fight The Power” – Public Enemy – “Do The Right Thing” (1989) Has there even been a more perfect match of movie and pop song than Spike Lee’s classic “ Do The Right Thing” and Public Enemy’s furious fuck-you anthem “Fight The Power”? The director wanted a song that would recur throughout the film, most notably when played on the boombox of crucial character Radio Raheem ( Bill Duke), saying that he “wanted it to be defiant, I wanted it to be angry, I wanted it to be very rhythmic.

I thought right away of Public Enemy,” then coming off their classic second record, It Takes A Nation Of Millions To Hold Us Back. The resulting track, all abrasive Elvis-dissing lyrics, thundering loops and unexpected sax solos, was an all-time classic, topping the Village Voice’s Pazz & Jop poll, and becoming an African-American anthem. “Fame” – Irene Cara – “Fame” (1980) Most movie musicals have a track that’s most associated with them, but not all have theme tunes as such. Alan Parker’s 1980 stage-school tuner is certainly the exception, with a title track that helped the film to wait for it live forever.

Penned by Michael Gore and Dean Pitchford for the film (though within the story, written by Lee Curreri’s shy composer Bruno), it scores probably the film’s most iconic sequence, where Bruno’s proud dad plays it in the streets, inspiring much dancing on cabs. Performed by the film’s star Irene Cara, it hit number four in the Billboard charts, and won the Oscar and the Golden Globe that year.

“The Power Of Love” – Huey Lewis & The News – “Back To The Future” (1985) Patrick Bateman favorites Huey Lewis & The News had their best known hit with wedding-disco staple “The Power Of Love,” penned for Robert Zemeckis’ mega-smash “ Back To The Future,” but what’s less well known is that it was their second attempt at writing a song for the film: the track “Back In Time,” which actually refers to the film and its characters explicitly (“Get back, Marty!”), was the original plan, but rejected by Universal. They were much keener on “The Power Of Love,” which features in the film both in an original version and as a hard-rock cover rejected by Lewis himself in a cameo, and went on to crop up in both of the film’s sequels. “Danger Zone” – Kenny Loggins – “Top Gun” (1986) Through to the 1990s, when he inflicted the likes of Trisha Yearwood’s “How Do I Live” (from “ Con Air”) and Aerosmith’s “I Don’t Wanna Miss A Thing” (from “ Armageddon”) on all of us, Jerry Bruckheimer was a pioneer of melding soft-rock soundtrack hits to his blockbusters, and the nine-times platinum soundtrack to “ Top Gun” might have reached something like his peak. Along with Berlin’s ballad “Take My Breath Away,’ “Danger Zone” is probably the most enduring musical contribution from the movie. Co-written by Giorgio Moroder, it was turned down by Toto, Bryan Adams and REO Speedwagon before 80s soundtrack superstar Kenny Loggins stepped up. The track’s Tony Scott-directed video was once described by the U.S. Navy as “the most effective recruiting poster ever produced.”.

“Kiss” – Prince – “Under The Cherry Moon” (1986) Prince’s second starring movie role, in “ Under The Cherry Moon,” is no “ Purple Rain” to say the least: ill-advisedly directed by the superstar himself, with a paper thin plot that sees him romance a young Kristin Scott Thomas (!) despite the disapproval of her father Stephen Berkoff (!!), it’s basically terrible from start to finish. But the film’s soundtrack, Parade, is terrific, one of his best records, and not least because of its biggest single, “Kiss.” Winning a Grammy, proving the artist’s third number one record, and once named by the NME as the fourth greatest single of all time, it’s an effortlessly sexy, incredibly cool cut that even survived. There aren’t many reasons to be thankful for the existence of “Under The Cherry Moon,” but this is one of them. (No video available, sorry) “Don’t You (Forget About Me)” – Simple Minds – “The Breakfast Club” (1985) The curse of so many bands is despising the song that proved to be your biggest hit. That’s the case with Simple Minds.

After Keith Forsey and Steve Schiff penned “Don’t You (Forget About Me)” for the soundtrack to John Hughes’ “ The Breakfast Club,” Cy Curnin, Bryan Ferry and Billy Idol all turned down the chance to record, as did the Jim Kerr-fronted band, only to eventually relent, putting the track to tape in just three hours. Despite it being their only U. Robotstudio 5 07 Crack Cocaine there. S. Gottfried admits he still cringes while watching the documentary “Gilbert,” which premieres Dec. 29 on Hulu and offers up a surprising portrait of the “comic’s comic.” The Screen Actors Guild Awards did a fine job nominating outstanding TV ensembles, but recognition is needed elsewhere. “The X-Files,” Jimmy Fallon and Tracy Morgan, “South Park,” “Orange Is The New Black” and more celebrate the holidays in our special Christmas episode. Plus: Could Disney’s acquisition of Fox’s film and television properties be good news for Fox Searchlight?